Etienne Delaune, Goldsmith's Workshop, an engraving

France, AD 1576

Engraving showing the interior of a goldsmith's workshop

This pair of signed and dated engravings by Delaune (1519-1583) document the practice of sixteenth-century

goldsmithing. The walls of the workshop are lined with the tools of the craft: pliers, files, drills, gravers, and hammers. The boy turning the winch on the left appears to be drawing wire. The worktable is placed perpendicular to the large window, in order to provide maximum natural light to the craftsmen. On the right a youth holds a pair of tongs in a small forge, with a bellows and an anvil by his side. Each workman sits with a leather apron tucked into his belt and attached to the table to catch filings of precious metal.

The second print shows the older man with spectacles serving a client through the window. He is possibly a self-portrait by Delaune. A display of chains and pendants hangs from the ceiling in full view of the street but out of reach of passers-by.

Delaune is recorded working as a goldsmith in Paris in 1546 and briefly in the royal mint six years later. His first dated prints were made when he was 42 years old. As a Calvinist, he left Paris at the time of the St Bartholomew's Eve massacre in 1572, and moved first to Strasbourg and later, according to the inscription on this print, to Augsburg.

The French Renaissance in Prints, from the Bibliotheque Nationale de France.: An article from: Renaissance Quarterly

These two prints show tantalizing evidence of the 'Tools of the Trade' for the Medieval Goldsmith, and therefore with extrapolation from modern techniques and tools may a discernment be made as to not only what they were making, but also how.  From here, I will be taking a close look at each of these images, choosing different locations of the goldsmith's workshop and try to find a modern equivalent, as well as provide some insight for a modern craftsman to create in the medieval fashion.